By examining both the controversy surrounding the production of 'Cruising' and the horrific crime that inspired the film, Jeffrey Schwarz's doc captures a poignant tipping point in pre-AIDS queer culture.
By Guy Lodge
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Film Critic
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Andrew Epstein The legacy of William Friedkin’s 1980 erotic thriller “Cruising” is a complex one. A film long vehemently denounced by the queer community it purported to represent, and more recently reclaimed as a rare mainstream portrait of a vanished social scene, it is many things to many people — and in disentangling its onscreen achievements and errors in judgment from its heated production history, “Mineshaft: The Cruising Murders” already has a lot to do. But Jeffrey Schwarz’s engaging, impassioned documentary takes on plenty else besides, delving not just into the film but the climate of 1970s LGBTQ liberation, persecution and panic that enabled it, as well the horrific real-life murders that specifically inspired Friedkin’s script.
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