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The 30 Best Songs About Cats

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The 30 Best Songs About Cats

By Rolling Stone

Rolling Stone

View all posts by Rolling Stone September 7, 2026 The 30 Best Songs About Cats Cat lovers Al Stewart, Beyonce and Robert Smith kpa/United Archives/Getty Images; Todd Plitt/Getty Images; Brian Rasic/Getty Images

The Romans believed that cats could see ghosts. In Aztec and Mayan folklore, cats were esteemed as guides to the underworld. For the Greeks, cats shared a cosmic connection with the lunar cycle. In 16th century England, people were convinced that if a cat jumped over a human corpse, the deceased person would turn into a vampire. All of this stuff is true, of course. Cats are the coolest, smoothest, most mysterious members of the animal kingdom. (Their aloof indifference to you and your boring human bullshit is a theme of Ricky Gervais’ popular new animated Netflix show, Alley Cats.) That regal status is why songwriters in every musical genre love a good cat metaphor — whether it’s Elton John in “Honky Cat,“ the Grateful Dead in “China Cat Sunflower,” or Prince in “Velvet Kitty Cat.” So here are our 30 favorite cat songs of all time, from jazz to rockabilly to R&B to pop, from the 1970s soft rock of Al Stewart to the Greenwich Village folk of Phoebe Buffay. To quote the artist at Number 15, karma is a cat. Let’s meow it up.

  • Jethro Tull, ‘…And the Mouse Police Never Sleeps’ (1978)

    RUSSELSHEIM - MAY 1978: L-R Photo composite of John Glascock, Barriemore Barlow, Ian Anderson, David Palmer, John Evan and Martin Barre of Jethro Tull photographed at the end of their performance at the Walter Kobel Halle in Russelsheim, Germany on 30th May 1978. (Photo by Brian Cooke/Redferns)RUSSELSHEIM - MAY 1978: L-R Photo composite of John Glascock, Barriemore Barlow, Ian Anderson, David Palmer, John Evan and Martin Barre of Jethro Tull photographed at the end of their performance at the Walter Kobel Halle in Russelsheim, Germany on 30th May 1978. (Photo by Brian Cooke/Redferns) Image Credit: Brian Cooke/Redferns/Getty Images

    The English prog-rock band’s 11th album, Heavy Horses, was inspired by leader Ian Anderson’s life on his new country estate. For the rustic rocker “….And the Mouse Police Never Sleeps,” he salutes his cat Mistletoe, who must’ve had the mice around the place on constant high alert: “With claws that rake a furrow red/Licensed to mutilate,” Anderson sings. The end of the song turns its title into a scary, growled chant, enough to make any rodent scurry for the next farm.—Jon Dolan

Originally reported by Rolling Stone. Read the full story at the original source.