By Frank Rizzo
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Evan Zimmerman Oh, Mary, what has Broadway become?
You might think playful outrageousness is now the norm with this month’s wave of musical openings that take audiences into the extreme realms of parody, play and interactivity.
The opening of the cult hit “Titaníque”— the musical spoof of the 1997 Oscar-winning smash “Titanic” — is the latest theatrical evidence that one can be stupid and smart at the same time.
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