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Beastie Boys’ Groundbreaking ‘Licensed to Ill’ to Get Lavishly Ill Vinyl Reissue

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CitrixNews Staff
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Beastie Boys’ Groundbreaking ‘Licensed to Ill’ to Get Lavishly Ill Vinyl Reissue

By Kory Grow

Kory Grow

Contact Kory Grow on X View all posts by Kory Grow November 12, 2026 Add us as a Google Preferred Source Portrait of members of American Rap group Beastie Boys as they pose in front of a mural (by Keith Haring), 1987. Pictured are, from left, Mike D (born Michael Diamond), MCA (born Adam Yauch, 1964 - 2012), and Ad-Rock (born Adam Horovitz). (Photo by Lynn Goldsmith/Corbis/VCG via Getty Images) Beastie Boys, 1987. Lynn Goldsmith/Corbis/VCG/Getty Images

What time is it? It’s time to get ill! Beastie Boys are celebrating the 40th anniversary of their megaselling debut album, Licensed to Ill, with a limited edition vinyl reissue. Originally released on Nov. 15, 1986, the diamond-certified, Rick Rubin–produced album became the first rap record to top Billboard’s album chart thanks to clever videos for “(You Gotta) Fight for Your Right (To Party!)” and “No Sleep till Brooklyn” and a string of singles that included “Brass Monkey,” “Hold It Now, Hit It,” and “Paul Revere.” The group’s surviving members, Mike D and Ad-Rock, will appear on The Daily Show on Monday to discuss the album’s legacy, as well as the SmartLess podcast, released the same day.

The lacquers for the limited Vinylphyle edition, which is out March 18 and available for preorder, were cut from a high-res digital transfer from the original 1986 quarter-inch master tape and pressed to 180-gram black vinyl LPs. Audio engineer Joe Nino-Hernes worked from physical tapes at Sterling Sound, introducing a digital step to preserve the tapes. “For this project I felt that making a high-resolution digital transfer, using the same machine and electronics that I use for cutting, would yield the best results and come closest to actually cutting from the first-generation master tape itself” he said in a statement. “It also allowed me to minimize handling of the tapes that have become fragile with time.”

The reissue, which will come in a lavish gatefold sleeve, will include new liner notes by Public Enemy’s Chuck D. The fourth side of the second LP will feature an etching, and a four-panel insert includes photos of the master tapes.

In 2019, the Beasties’ Mike D told A Tribe Called Quest’s Q-Tip on his Apple Music radio show, Echo Chamber, that the Licensed to Ill master tapes were missing. “Nobody can find it,” Mike said. “I’m not even lying.” When Q-Tip blamed the original label, Def Jam, and asked if producer Rick Rubin knew where they were, Mike D doubled down, according to Variety. “No,” he said, “Literally nobody can find it.” (A rep for the Beastie Boys did not immediately respond to Rolling Stone’s query if the tapes had been located for the reissue.)

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Mike D, who released his first-ever solo album, Thank You, this year, reflected on Licensed to Ill’s legacy in a Rolling Stone interview. “I do think about the joy that Adam Horovitz, Yauch, and I had when we were making the demos that became some of those tracks,” he said.

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